Here's a Look at the 774 New Members of The Academy

Gal Gadot in Wonder Woman

There's no denying that the one thing that probably made last year's Academy Awards very interesting was the diverse new membership. 2016 saw a record breaking 683 new members. This was in large part to combat diversity issues both in terms of race and in gender. If nothing else, it made for one of the less predictable Best Picture years in recent history where Moonlight upset La La Land for top prize. Still, those who thought that there was no way to top last year's impressive haul clearly didn't wait around for the following year's inductees. The record is once again broken and there are now 774 new people being invited to join The Academy, including Gal Gadot, Kristen Stewart, Elle Fanning, Dwayne Johnson, and even Betty White. It's an impressive list, and one that looks to say good things about the future of The Academy going forward.

Birthday Take: Krzysztof Kieslowki in "Red" (1994)

Scene from Red

Welcome to The Birthday Take, a column dedicated to celebrating Oscar nominees and winners' birthdays by paying tribute to the work that got them noticed. This isn't meant to be an exhaustive retrospective, but more of a highlight of one nominated work that makes them noteworthy. The column will run whenever there is a birthday and will hopefully give a dense exploration of the finest performances and techniques applied to film. So please join me as we blow out the candles and dig into the delicious substance.

Composing Greatness: #8. John Williams - "Tom Sawyer" (1973)

Scene from Tom Sawyer

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

A24 A-to-Z: #3. "Spring Breakers" (2013)

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Three-Time Oscar Winner Daniel Day-Lewis to Retire From Acting

Daniel Day-Lewis in Gangs of New York

There are few actors quite like Daniel Day-Lewis. For starters, he often goes so long in between movie projects that it's easy to believe that each movie is his last. Before his latest film with director Paul Thomas Anderson (due this Fall), he starred in Lincoln, which won him his third Best Actor statue. That was five years ago. So, what is up next on his agenda? Unlike almost every other time, there is news of what that will be. Following the release of the Anderson film, he will be retiring from acting. The news is as shocking as it is predictable for an actor known for his reclusive personality and his fickle way of picking projects. Still, he leaves behind an impressive body of work that few could possibly match.

R.I.P. John G. Avildsen (1935-2017)

John G. Avildsen

On June 16, 2017, director John G. Avildsen died of pancreatic cancer in West Hollywood, California at the age of 81. Among his most memorable works are some of Hollywood's most beloved underdog stories, including The Karate Kid and the Best Picture winner Rocky. He made films to uplift people's spirits and provide hope to anyone struggling to be accepted. He also collaborated with some of the best artists of the 70's and 80's to help produce these masterpieces. Among his greatest attributes was his ability to make films that were as innovative as they were independently made and produced. In some ways, he was just as much an underdog as his greatest protagonist, Rocky Balboa. It's why his work will continue to live on, inspiring people to get up and train for success in any way that they can. 

Composing Greatness: #7. John Williams - "Cinderella Liberty" (1973)

Scene from Cinderella Liberty

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Theory Thursday: "The Good Dinosaur" is Underrated

Scene from The Good Dinosaur

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Composing Greatness: #6. John Williams - "The Poseidon Adventure" (1972)

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

A24 A-to-Z: #2. "Ginger & Rosa" (2013)

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

The Runner-Ups: James Whale in "The Invisible Man" (1933)

Every Oscar season, there are a handful of actors who get tagged with the "snubbed" moniker. While it is always unfortunate to see our favorites not honored with at very least a nomination, there's another trend that goes largely unnoticed: those who never even got that far. The Runner-Ups is a column meant to honor the greats in cinema who put in phenomenal work without getting the credit that they deserved from The Academy. Join me every other Saturday as I honor those who never received any love. This list will hopefully come to cover both the acting community, and the many crew members who put the production together.

Theory Thursday: "Frankenstein" (1931) is Better Than "The Bride of Frankenstein"

Scene from Frankenstein

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Composing Greatness: #5. John Williams - "Images" (1972)

Scene from Images

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Theory Thursday: "Sgt. Pepper's Lonely Hearts Club Band" the Movie is Underrated

Scene from Sgt. Pepper's Lonely Hearts Club Band

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

A24 A-to-Z: #1. "A Glimpse Inside the Mind of Charles Swan III" (2013)

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.