An Appreciation of Universal Horror's "Invisible Man" Franchise

Scene from The Invisible Man

This Friday will mark the latest interpretation of the H.G. Wells classic "The Invisible Man." Starring Elisabeth Moss, the updated version already has proven to be an intense update that finds the story tying more to themes of toxic masculinity than the feeling of not being seen. In fact, there have been many interpretations throughout the years, though few will ever be as interesting as the franchise that started it all. Back in the 1930s, the Universal Horror label did their best to create the cinematic icons of every horror character imaginable. Audiences are undoubtedly more familiar with Frankenstein, Dracula, and to a lesser extent The Wolf Man and The Creature from the Black Lagoon. However, there's one that exists in the fray and has a more interesting legacy over six films. The Invisible Man in 1933 started a franchise that was never as acclaimed or consistent as its peers, but it does serve as an interesting alternate path that horror could've gone down, embracing romantic comedy, World War II espionage thrillers, and the more general sense of camp. While it may have one of the weakest franchises of Universal Horror, it's easily the most fascinating.

What "The Shape of Water" Winning Best Picture Means to Me

Credit: Naki for Variety

There's certain things that people have come to expect from a Best Picture winner at The Academy Awards. They are prestigious dramas conveying deep and conflicting resonance of the moment it came out. It's supposed to be serious, often contextualizing a piece of history through an artistic prism. But, as someone who has loved classic monster movies, I've also known that another thing is true: genre movies don't win. Comedies or musicals maybe, but never sci-fi, horror, fantasy, or anything considered niche. After all, the Best Picture winner is something agreed upon of thousands of people from differing tastes. So to see The Shape of Water win two of film's most prestigious awards this past Sunday gave me an incredible feeling. Somehow it validated the idea that The Oscars have always preached: all movies matter. For the first time this millennium, that's felt like more than hyperbole.

Theory Thursday: "Frankenstein" (1931) is Better Than "The Bride of Frankenstein"

Scene from Frankenstein

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Theory Thursday: Javier Bardem is the Best Villain Actor Working Today

Scene from Pirates of the Caribbean: Dead Men Tell No Tales

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Theory Thursday: Zombies are the Worst Horror Monsters

Scene from Zombieland

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Theory Thursday: Bela Lugosi is Overrated

Bela Lugosi in Dracula

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

The Directors Project: #33 - James Whale

Scene from Cinema Paradiso

With the many lists and essays written on the subject of film, there has been one thing that The Oscar Buzz has tried to understand: Who is my favorite of the film world? For 10 weeks this summer, I will be exploring this with a countdown of the Top 50 names based on a numerical ranking of ratings from various sources, the following is a list of directors who rank above everyone else. With occasional upsets, this is intended as both a discussion opener as well as a better understanding of me as a film critic and fan. Please enjoy and leave any comments you have regarding the entry's selection.