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| Scene from Hidden Figures |
Despite taking place 65 years ago, director Theodore Melfi's Hidden Figures is a film that feels prescient to 2016. It comes through in every line of dialogue that states its themes a little too obviously. This isn't specifically a story of how women and blacks were seen as second-class citizens in America at the time, but more of a symbolic gesture of why society shouldn't underestimate the potential that each member brings to the table. The story of NASA is one that's very clear - with this particular story even being told better in The Right Stuff - but the goal of Hidden Figures is to show a side that hasn't been explored before. The ending may be the familiar triumphant period piece fluff, but what Melfi has created is an endearing portrait of teamwork and how every voice counts, no matter what they look like.
