Showing posts with label The Alamo. Show all posts
Showing posts with label The Alamo. Show all posts

Tuesday, October 27, 2015

10 Best Picture Nominees That Bombed at the Box Office

Michael Fassbender in Steve Jobs
It is likely that by this point you are aware that director Danny Boyle's Steve Jobs bombed at the box office. It is even possible that people are already calling an end times scenario for the prestige picture that features some of the best acting and writing of the year (I think so, anyways). However, if you're wanting to go that route, I want to warn you that this isn't the first film, nor is it likely the last, to be a great film that bombs. In fact, there's been several films that have "bombed" through out The Academy Awards history. The following is a look at 10 different films that made it to Best Picture despite not turning a profit. A lot of them are likely to be more surprising than you'd think.

Sunday, October 4, 2015

Best Song: "Never on Sunday" (1960)

Scene from Never on Sunday
Welcome to Best Song, a new weekly column released on Sunday dedicated to chronicling the Best Original Song category over the course of its many decades. The goal is to listen to and critique every song that has ever been nominated in the category as well as find the Best Best Song and the Best Loser. By the end, we'll have a comprehensive list of this music category and will hopefully have a better understanding not only of the evolution, but what it takes to receive a nomination here. It may seem easy now, but wait until the bad years.

Saturday, December 20, 2014

Failed Oscar Campaigns: "The Alamo" (1960)

As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.