Showing posts with label Robert Altman. Show all posts
Showing posts with label Robert Altman. Show all posts

Thursday, August 23, 2018

R.I.P. Barbara Harris (1935-2018)

Barbara Harris in Nashville
Actress of stage and screen Barbara Harris died on August 21, 2018 at the age of 83 in Scottsdale, Arizona. Among the accomplishments of her career were several Tony and Golden Globe-nominated performances as well as prominent work in films like Nashville, Peggy Sue Got Married, and Grosse Pointe Blank. With a rich career that spanned several decades, she leaves behind an impressive legacy of quality performances and Broadway shows that were inspired by her charisma. Her work continues to live on in the students that she taught after retiring from acting as well as the great work that she did on camera. She had an exciting, unique career that's hard to match, and it makes her all the more fascinating as a result.

Monday, June 5, 2017

Composing Greatness: #5. John Williams - "Images" (1972)

Scene from Images
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Friday, November 4, 2016

Super Delegates Bonus: Richard M. Nixon in "Secret Honor" (1984)

Philip Baker Hall
Welcome to Super Delegates Bonus. As a subsidiary of Super Delegates, the sporadic additional column is meant to explore depictions of politicians on film outside of the conventional methods of the column. This ranges from everything such as political candidates in TV movies and miniseries to real life candidates providing feedback on their pop culture representation. While not as frequent or conventional, the goal is to help provide a vaster look at politics on film as it relates to the modern election year. Join in and have some fun. One can only imagine what will be covered here.

Saturday, May 7, 2016

The Runner-Ups: Shelley Duvall in "3 Women" (1977)

Shelley Duvall
Every Oscar season, there are a handful of actors who get tagged with the "snubbed" moniker. While it is always unfortunate to see our favorites not honored with at very least a nomination, there's another trend that goes largely unnoticed: those who never even got that far. The Runner-Ups is a column meant to honor the greats in cinema who put in phenomenal work without getting the credit that they deserved from The Academy. Join me every Saturday as I honor those who never received any love. This list will hopefully come to cover both the acting community, and the many crew members who put the production together.

Tuesday, September 1, 2015

Birthday Take: Lily Tomlin in "Nashville" (1975)

Lily Tomlin in Nashville
Welcome to The Birthday Take, a column dedicated to celebrating Oscar nominees and winners' birthdays by paying tribute to the work that got them noticed. This isn't meant to be an exhaustive retrospective, but more of a highlight of one nominated work that makes them noteworthy. The column will run whenever there is a birthday and will hopefully give a dense exploration of the finest performances and techniques applied to film. So please join me as we blow out the candles and dig into the delicious substance.

Tuesday, April 14, 2015

Birthday Take: Julie Christie in "McCabe & Mrs. Miller" (1971)

Julie Chritie
Welcome to The Birthday Take, a column dedicated to celebrating Oscar nominees and winners' birthdays by paying tribute to the work that got them noticed. This isn't meant to be an exhaustive retrospective, but more of a highlight of one nominated work that makes them noteworthy. The column will run whenever there is a birthday and will hopefully give a dense exploration of the finest performances and techniques applied to film. So please join me as we blow out the candles and dig into the delicious substance.