Review: "Darkest Hour" is a Showcase for Gary Oldman's Acting, Not Much Else

Gary Oldman

In times of struggle, a leader is the most important thing to have. But what makes a good leader? Is it someone who can provide easy answers, or is it someone who takes the tough decisions that could lead to permanent fixes? In director Joe Wright's Darkest Hour, he explores this subject in relation to England in the midst of World War II during a time when the foe was among the most notorious dictators in history and the threat of bombs were constantly over their heads. It's a taught drama, but at the center is a compelling performance by Gary Oldman as Winston Churchill, the aging statesman who comes to shape the war's outcome in one definitive decision. Ironically, it's his first and one that will likely make or break his role as Prime Minister. It's a gripping drama, and one that finds that the best answers aren't always the easiest. 

Nothing But the Best: "The English Patient" (1996)

Ralph Fiennes in The English Patient

Welcome to the series Nothing But the Best in which I chronicle all of the Academy Award Best Picture winners as they celebrate their anniversaries. Instead of going in chronological order, this series will be presented on each film's anniversary and will feature personal opinions as well as facts regarding its legacy and behind the scenes information. The goal is to create an in depth essay for each film while looking not only how the medium progressed, but how the film is integral to pop culture. In some cases, it will be easy. Others not so much. Without further ado, let's start the show.

Review: "Only God Forgives" is an Unforgivable Mess

Left to right: Yayaying Rhata Phongam and Ryan Gosling

In 2011, director Nicolas Winding Refn gained an unprecedented amount of overnight success. With the help of Ryan Gosling, he created a beautiful, poetic look at Los Angeles in a genre-bending tale of violence known as Drive. While it bombed at the box office and failed to garner much respect at the Oscars, it did end up as one of the most iconic depictions of cool for the modern generation with an equally infectious Cliff Martinez score. With Refn's follow-up and the second collaboration with Gosling, is it possible for the duo to strike lightning twice, or is Drive one of those rare success stories?

Is "Only God Forgives" Too Violent for an Oscar Nomination?

Ryan Gosling

For people speculating the Oscars, it has been a rough summer. With exception to Fruitvale Station, there haven't been any definite selections. Maybe it is from the bloated output of franchise sequels and remakes. It could just be a lackluster year where Steven Spielberg correctly identified the collapse of blockbuster entertainment. Still, as July starts to wind down, we enter a more enticing season of original fare including The World's End, Elysium, and director Nicolas Winding Refn's follow-up to the iconic Drive known as Only God Forgives with Ryan Gosling. Opening this Friday, is this film able to break the trend of Gosling films getting ignored, or will this just be reprise of Drive?