Review: "I'm Thinking of Ending Things" is a Special Kind of Frustrating

Scene from I'm Thinking of Ending Things

If you were to describe Charlie Kaufman's filmography in one word, it's headache. Not cerebral or surreal, just headache. Over a career spanning 25 years, he has taken a look inside the human condition and asked the profound questions about how our brain works. With Eternal Sunshine of the Spotless Mind, he explored romance in one of the most creative dramas of the 21st century. More recently, he explored loneliness in Anomalisa by turning a hotel full of people voiced by only three actors. He's an oddball who takes risks, but at the end of the day, you'll understand why these ideas make your head ache at night, causing you to toss and turn at night. He may not always say it directly, but those willing to listen will find something satisfying in his frustration, finding profundity in the mundane conversations as we transition to the next phase of life.

This is what makes I'm Thinking of Ending Things a particularly unique ride even within his filmography. While every story has these twists and turns that reveal themselves to us, this Netflix collaboration is one that requires an insubordinate amount of patience, requiring audiences to get through a 20-minute car ride full of seemingly inconsequential conversations. Why does any of this matter? Kaufman has gotten to a point in his writing career where he sprinkles nuance so gradually that you might miss it entirely. It may be why this is a difficult film to understand, let alone enjoy. Is it actually a journey to visit family, or is this an attempt at Kaufman's grander existential crisis magnum opus? The answer lies somewhere in the middle, maybe blurred out in a cloud of snow in the rearview mirror. While the film eventually gets there, the road there requires an effort that not everyone will be willing to face. 

Charlie Kaufman Returns with the First Neurotic Trailer for "I'm Thinking of Ending Things"

Scene from I'm Thinking of Ending Things

On the one hand, this year is so screwed up that its impossible to have any idea at how to look at this awards season. Considering that we're months out from the usual launch, there's no surety that anything will even be out. Most of the big films have moved to 2021 at the hopes that this pandemic will be over. For now, we just have to treat everything with a certain sensitivity, treating what would be a longshot as a serious contender. Given that streaming services like Netflix and Disney+ have been releasing quality work, there's a good reason to argue that this year's winners will be digital.

Following in the path of Da 5 Bloods, Netflix is releasing their next high profile movie I'm Thinking of Ending Things. No, it's not a title meant to imply how we feel right now. It's the latest film from Oscar-winning screenwriter Charlie Kaufman. Considering that his neurotic gifts have made some of the most interesting existential dives into the human condition over the past 20 years, it's always a delight to know that he's back out there doing stuff. After watching this trailer, that uncertainty clearly shines through. The only question is if audiences will be ready for a neurotic, depressing family get together. For those who are, this is a great and refreshing film in a sometimes dour period.

Review: "The Irishman" is the Great Gangster Movie to End All Gangster Movies

Scene from The Irishman (2019)

With The Irishman, director Martin Scorsese has made the gangster movie to end all gangster movies. He has made a career of exploring the criminals who have gotten rich off of shady deals and violent discourse, leaving behind nothing but misery for everyone else. After pushing limits with films like Mean Streets, Goodfellas and The Wolf of Wall Street, he has taken on the elder statesman role in 2019 to discuss how a life of crime may seem rewarding at first but inevitably ends in a sadness that can't be escaped. As much as the 3.5-hour running time feels at times taxing, drawing out small moments that feel interminable, the result is to create an epic about a man learning to realize his own flaws only to realize that they come too late. It's a story about loyalty and aging in the ways that only Scorsese can get away with. While the results are less flashy than his aforementioned masterpieces, this is the final chapter in a cautionary tale that has defined his work from the beginning. With a cast of incredible actors at the top of their game, The Irishman may be overlong, but it's all in an attempt to cheat death. It's horrifying and immersive, leaving the audience with a powerful gut punch that is too bittersweet to forget.

"The Irishman" Trailer Sets Scorsese Up for Oscar Potential

Scene from The Irishman (2019)

There have been few obvious Oscar campaigns quite like director Martin Scorsese's The Irishman. It was so anticipated that a teaser played during the commercials for the actual ceremony. However, this is the first time that audiences will be privy to what lied in one of the most exciting pairings of the year. Not only is it the return of Scorsese with Robert de Niro, but it also features Goodfellas actor Joe Pesci and his first with Al Pacino. It's a dynamite group that could sell the film without a single piece of marketing. Thankfully, the trailer that premiered lived up to the expectations, taking audiences back to the world of Scorsese gangster films for the first time since The Departed in 2006. If nothing else, it looks to be one of the best excuses to subscribe to Netflix yet.

Review: "Vice" Sets Its Sights a Little Too High

Christian Bale in Vice

The latest film from director Adam McKay couldn't have better timing if it tried. With 2018 coming to a close amid a government shutdown and lots of in-fighting, the chance to reflect on what we expect from the people in charge has never been more of a prominent subject. It's why Vice feels like it should be a bigger deal, where the most notorious vice president in 21st century American history is finally scrutinized in a text that fossilizes him as the awful human he was. It's the part of McKay's experimental film making that succeeds, throwing the audience into a story that will boil the blood of anyone who currently lives in the America that Dick Cheney helped to mold over 50 years. However, McKay is maybe a bit too obsessed with the style to ever make one element shine above the rest. The film is a mess that often reaches blips of greatness, and overall it's a missed opportunity to create something singular and definitive of not only Cheney's life, but of the 2018 the film was born into.

The First "Vice" Trailer Finds Christian Bale Immersed in Another Oscar Campaign

Christian Bale in Vice

It continues to seem ridiculous, almost as much so as one of his broad comedies of yesteryear, but director Adam McKay has become an Oscar darling. With most of the Oscar season seemingly laid out with heavyweights, people have been holding out for his Dick Cheney film now called Vice. Considering how little presence it has had at film festivals, it's amazing to think of how anticipated the first trailer has been for months now. Well, it is here and from the looks of it, this is another Christian Bale performance primed for Oscar consideration. He looks immersed in the role to an impeccable degree, and the supporting cast doesn't look too bad either - filled with Oscar-nominees and winners who round out a cast of characters from one of the 21st century's most notorious American presidencies. To say the least, Vice looks like McKay is once again going to enjoy a cozy seat at the awards table.

Failed Oscar Campaigns: "Black Mass" (2015)

Johnny Depp

As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

Review: "Black Mass" is a Cliche Gangster Film with Squandered Potential By All

Johnny Depp

There is one notion that I have that has flickered in recent years: Johnny Depp is a great actor. Not in the sense that his every film he makes is a masterpiece, but that he brings something authentic to each role. Where I've seen a handful of beloveds unable to immerse themselves in a role, it is rarely true with Depp. He can be eccentric or menacing when the role calls for it. With director Scott Cooper's Black Mass, I was hoping that audiences would get to pick up on that, especially after a long stretch of clunkers best immortalized with this year's Mortdecai. However, it is only fuel for their fire. While it isn't entirely his fault, a lot of the blame for why Black Mass is an abysmal, cliche-ridden movie falls on his shoulders. He crumbles underneath with one of his least inspired performances to date.

The "Black Mass" Trailer Looks Like Depp is Trying to Impress Us Again

Johnny Depp

Here is a fact that many likely will find odd: Johnny Depp has earned three Oscar nominations - all between 2004 and 2008. For modern audiences, it is probably hard to believe that the actor behind critically panned movies like Mortdecai and Transcendence used to be one of the most interesting and rebellious mainstream actors out there. He even got an acting nomination for The Pirates of the Caribbean as Captain Jack Sparrow. While I don't feel his passion is entirely gone, there is a need for us, as well as him, to reassess his current acting career. With director Scott Cooper's Black Mass, it looks like if nothing else, he is back to giving a role that shows the edgier and more interesting side of Depp. The only question is if it will be enough.

Review: "The Master" is an Overlong Love Letter to Your Brain

Left to right: Joaquin Phoenix and W. Earl Brown

It is always tough to respect someone's follow-up to what is perceived as their best work on that movie's own merit. After hitting a formula, you'd expect them to pull it again in a similar vain. For director Paul Thomas Anderson's follow-up to There Will Be Blood entitled The Master, we would expect the loud vibrancy that came with Daniel Day Lewis' haunting portrayal of businessman Daniel Plainview. Instead, we get something more nuanced and different. There aren't any loud bangs or big set pieces burning to the ground. What we get is Joaquin Phoenix humping a pile of sand in the shape of a naked woman. 

The Oscar Buzz Begins with "The Master"

Joaquin Phoenix

Sports fans have seasons when players fight each other for the championship. You can keep your baseball and football. I will take movies any day. Every year I get a thrill out of watching the best of the best compete for the top prize: the Oscars. At 84, the ceremony remains one of the most culturally revered American awards to be given to film on a yearly basis. While it isn't strictly given to movies released in the fall, I consider September to be the ultimate start of the Oscar Buzz. What better way to begin the competition than with revolutionary director Paul Thomas Anderson's latest The Master, starring Joaquin Phoenix, Philip Seymour Hoffman, and Amy Adams: a big Oscar nominated pedigree coming off of the director's most praised film There Will Be Blood?