Showing posts with label Haskell Wexler. Show all posts
Showing posts with label Haskell Wexler. Show all posts

Wednesday, June 22, 2016

"Who's Afraid of Virginia Woolf?" Remains a Vital Look at Changing Ideals After 50 Years

Left to right: Richard Burton and Elizabeth Taylor
On paper, the concept of Who's Afraid of Virginia Woolf? shouldn't have lead to its huge success with 13 Oscar nominations (5 wins) that also marked it as one of the few films to be nominated in every eligible category. Considering that casting real life couple Richard Burton and Elizabeth Taylor as the tensest party MC's in film history could make it seem at times autobiographical, it's a miracle that director Mike Nichols' debut works as well as it does. While credit largely should go to the playwright Edward Albee (adapted to film by Ernest Lehman) for making such a captivating story, it's a rich story full of brilliant subtext not only about how relationships and lies can corrupt the psyche, but of the conflicting tides of the post-John F. Kennedy era of America where uncertainty and desperation seemed to run rampant. It's not a masterpiece solely because of its powerhouse dynamic. It's a masterpiece because of its ability to capture something personal about the era that has frankly never gone away after 50 years.

Sunday, December 27, 2015

R.I.P. Haskell Wexler (1922-2015)

Haskell Wexler
On December 27, 2015, cinematographer Haskell Wexler died in his sleep at his home in Santa Monica, California at the age of 93. Over his long and storied career, he became one of the most influential cinematographers in American film, having revolutionized techniques that were featured in films such as Who's Afraid of Virginia Woolfe?, In the Heat of the Night, and even as director with Medium Cool. He was a gifted creator who claimed to make time stand still with striking images in films that are still revered to this day. His legacy lives on in his work, and the generation of film makers that he inspired as a result. There isn't likely to be another cinematographer like him, as he changed the world for the better.