Every few decades, one remake emerges that defines the zeitgeist in some meaningful way. While there's only four versions of A Star is Born out there currently, they all have left a stamp on Hollywood and the music industries with scathing tales of fame, indulgence, and the power of creativity. Over the course of this week, Born This Way will be looking at the films, released between 1937 and 2018, and analyzing what makes each one special along with what they do right, what could be improved, and just a general celebration of all things glitz and glamour. You might want to take another look at this column, because it's something as timeless as film itself. Dive in and enjoy Hollywood's favorite franchise, which has earned 17 Oscar nominations, 2 wins, and an Honorary Award. There's few films like these, so catch them before they fade away.
Many films are great, but only one wins Best Picture. This is a blog dedicated to everything involving the Oscars past and present as well as speculation on who should win at this year's events.
Showing posts with label Barbara Streisand. Show all posts
Showing posts with label Barbara Streisand. Show all posts
Thursday, October 11, 2018
Born This Way: Bradley Cooper's "A Star is Born" (2018)
Labels:
2018,
A Star is Born,
Andrew Dice Clay,
Barbara Streisand,
Born This Way,
Bradley Cooper,
Kris Kristofferson,
Lady GaGa,
Sam Elliott
Wednesday, October 10, 2018
Born This Way: Frank Pierson's "A Star is Born" (1976)
Every few decades, one remake emerges that defines the zeitgeist in some meaningful way. While there's only four versions of A Star is Born out there currently, they all have left a stamp on Hollywood and the music industries with scathing tales of fame, indulgence, and the power of creativity. Over the course of this week, Born This Way will be looking at the films, released between 1937 and 2018, and analyzing what makes each one special along with what they do right, what could be improved, and just a general celebration of all things glitz and glamour. You might want to take another look at this column, because it's something as timeless as film itself. Dive in and enjoy Hollywood's favorite franchise, which has earned 17 Oscar nominations, 2 wins, and an Honorary Award. There's few films like these, so catch them before they fade away.
Labels:
2018,
A Star is Born,
Barbara Streisand,
Best Original Song,
Born This Way,
Frank Pierson,
Kris Kristofferson
Saturday, October 6, 2018
Check This Out: Watch the Previous "A Star is Born" Movies on FilmStruck
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| Scene from A Star is Born (1954) |
As most people already know, yesterday marked the release of the fourth adaptation of Hollywood's favorite franchise A Star is Born, this time directed by Bradley Cooper and starring Lady Gaga. Early talk has been that it's great and that the song "Shallow" is set to dominate the Best Original Song category. While it's encouraged that you go out and see it just for the sheer energy on display, those who want to see the wide berth of history for this franchise need not go out and buy the DVD's. If that's too pricey of a measure, there is a simpler way, and it involves having a subscription to the great streaming service FilmStruck. Right now, you can go to their website and watch the 1937, 1954, and 1976 versions of the films that have in total earned 17 Oscar nominations (including 1 Best Picture), 2 wins, and an Honorary Award. It's a franchise that's likely to outlast us all, so get on board and see what all of the fuss is about.
Labels:
2018,
A Star is Born,
Barbara Streisand,
Bradley Cooper,
Fredric March,
George Cuckor,
Judy Garland,
Kris Kristofferson,
Lady GaGa,
William A. Wellman
Wednesday, September 14, 2016
The Oscar Buzz is Celebrating its Fourth Anniversary!
Today marks the fourth anniversary of The Oscar Buzz's launch. Back in 2012, it started as a blog to discuss all things Oscars, but mostly as it related to director Paul Thomas Anderson's The Master. In 2016, it has evolved into its own impressive mixture of commentary on the award's history and its various awards. I hope that in that time you the reader have not only come to better understand the Oscars, but get a better understanding of me as a cinephile. So, how do you celebrate four years? It only seems right to go with the crowning achievement: The E.G.O.T.. For those who don't know, this is specifically for artists who have won awards in the Emmy, Grammy, Oscar, and Tony fields: all of which are considered the heights of their fields. I am going to rank my 10 favorite winners, who for the sake of posterity I will only judge based on their Oscar wins and not their subsequent nominations. Thanks again for reading, and as they say in politics, here's to "Four more years! Four more years!"
Labels:
2016,
Alan Menken,
Audrey Hepburn,
Barbara Streisand,
Liza Minnelli,
Marvin Hamlisch,
Mel Brooks,
Mike Nichols,
Richard Rodgers,
Rita Moreno,
Scott Rudin
Sunday, June 19, 2016
Best Song: "You Must Love Me" (1996)
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| Madonna in Evita |
Welcome to Best Song, a new weekly column released on Sunday dedicated to chronicling the Best Original Song category over the course of its many decades. The goal is to listen to and critique every song that has ever been nominated in the category as well as find the Best Best Song and the Best Loser. By the end, we'll have a comprehensive list of this music category and will hopefully have a better understanding not only of the evolution, but what it takes to receive a nomination here. It may seem easy now, but wait until the bad years.
Labels:
2016,
Barbara Streisand,
Best Original Song,
Best Song,
Bryan Adams,
Celine Dion,
Kenny Loggins,
Madonna,
The Wonders
Sunday, March 13, 2016
Best Song: "Flashdance... What a Feeling" (1983)
![]() |
| Scene from Flashdance |
Welcome to Best Song, a new weekly column released on Sunday dedicated to chronicling the Best Original Song category over the course of its many decades. The goal is to listen to and critique every song that has ever been nominated in the category as well as find the Best Best Song and the Best Loser. By the end, we'll have a comprehensive list of this music category and will hopefully have a better understanding not only of the evolution, but what it takes to receive a nomination here. It may seem easy now, but wait until the bad years.
Labels:
2016,
Barbara Streisand,
Best Original Song,
Best Song,
Betty Buckley,
Irene Cara,
Michael Sembello
Sunday, January 17, 2016
Best Song: "I'm Easy" (1975)
![]() |
| Scene from Nashville |
Welcome to Best Song, a new weekly column released on Sunday dedicated to chronicling the Best Original Song category over the course of its many decades. The goal is to listen to and critique every song that has ever been nominated in the category as well as find the Best Best Song and the Best Loser. By the end, we'll have a comprehensive list of this music category and will hopefully have a better understanding not only of the evolution, but what it takes to receive a nomination here. It may seem easy now, but wait until the bad years.
Labels:
2016,
Barbara Streisand,
Best Original Song,
Best Song,
Diana Ross,
Keith Carradine,
Nashville,
Olivia Newton John,
Steve Lawrence
Sunday, January 3, 2016
Best Song: "The Way We Were" (1973)
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| Scene from The Way We Were |
Welcome to Best Song, a new weekly column released on Sunday dedicated to chronicling the Best Original Song category over the course of its many decades. The goal is to listen to and critique every song that has ever been nominated in the category as well as find the Best Best Song and the Best Loser. By the end, we'll have a comprehensive list of this music category and will hopefully have a better understanding not only of the evolution, but what it takes to receive a nomination here. It may seem easy now, but wait until the bad years.
Labels:
2016,
Barbara Streisand,
Best Original Song,
Best Song,
Disney,
John Williams,
Madeline Ball,
Nancy Adams,
Paul McCartney,
Paul Williams,
Wings
Sunday, November 29, 2015
Best Song: "The Windmills of Your Mind" (1968)
![]() |
| Scene from The Thomas Crown Affair |
Welcome to Best Song, a new weekly column released on Sunday dedicated to chronicling the Best Original Song category over the course of its many decades. The goal is to listen to and critique every song that has ever been nominated in the category as well as find the Best Best Song and the Best Loser. By the end, we'll have a comprehensive list of this music category and will hopefully have a better understanding not only of the evolution, but what it takes to receive a nomination here. It may seem easy now, but wait until the bad years.
Labels:
2015,
Adrian Hall,
Barbara Streisand,
Best Original Song,
Best Song,
Dick Van Dyke,
Heather Ripley,
Julie Andrews,
Noel Harrison,
Sally Ann Howes,
Shirley Horn
Tuesday, April 14, 2015
Watch This: The Famous Hepburn/Streisand Best Actress Tie of 1969
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| Left to right: Barbra Streisand and Anthony Harvey |
There was a lot of reason that the 42nd Academy Awards - held on April 14, 1969 - stood out as something special. For starters, this was the year in which they didn't have any host and it would also be the year in which the Best Picture would go to their first (and so far only) X-rated film Midnight Cowboy. However, these details are overlooked in the history books in favor of something even more peculiar. This was the year in which a newcomer and a veteran performer tied in the Best Actress category. It was a trend that hasn't been seen before or since and introduced the world to the woman who was so thankful for the Academy making her miserable: Barbra Streisand.
Friday, February 8, 2013
Dear Academy: Enough with the James Bond Love!
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| Daniel Craig in Skyfall |
When I wrote about Adele's Skyfall theme a few months ago, I predicted that it would be the extent to the film's Oscar chances. Then things began to pick up and suddenly it feels like James Bond will be integral to this year's ceremonies. With five nominations, Skyfall is making out to be one of the most renowned Bond films that the Academy has ever dealt with. However, it feels like the love doesn't stop there. With the franchise celebrating 50 years, it feels like this quite possibly could be the year when Bond infiltrates the Oscars in a bad, bad way.
Labels:
007,
2013,
85th Annual Academy Awards,
Adele,
Barbara Streisand,
Best Original Song,
Javier Bardem,
Judi Dench,
Sam Mendes,
Shirley Bassey,
Skyfall,
Ted,
Thomas Newman
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