A24 A-to-Z: #82. "Under the Silver Lake" (2019)

Scene from Under the Silver Lake

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for years to come. 

Composing Greatness: #15. The Freshman Class of the 2010's - "BlacKkKlansman" (2017)

Scene from BlacKkKlansman

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Review: "Under the Silver Lake" is a Flawed Masterpiece

Scene from Under the Silver Lake

The existence of director David Robert Mitchell's follow-up to It Follows has a history just as confounding as the plot. Under the Silver Lake is a film that played at Cannes, and had a winter release planned stateside. It was nothing too out of the ordinary until many criticized the plot into an editing frenzy that only saw it released in Europe (by the time it was on home video, it was still months away from the U.S. release). For a follow-up to a film that is regarded as premiere horror of the decade, Mitchell's post-modernist take on Millennials and neo-noir being dumped on V.O.D. platforms feels both fitting and disappointing. It was always going to be a confounding sell, but what's keeping it from a middling box office that legitimizes its inevitable cult status? The film may be all but gone from the public radar, but hopefully, its second act (its release) is just as true to the film and slowly unwinds into something bigger and crazier. For all of its flaws and wound-up insanity, Under the Silver Lake is one of the most delightful, deranged, hilarious odes to Los Angeles absurdism since Inherent Vice. Its answers may disappoint you, but that's kind of the point. It's a film lacking meaning as it finds it, and that's part of its frustrating charm.

Review: "BlacKkKlansman" is a Giant Gut Punch of Profound Film Making

Scene from BlacKkKlansman

By the age of 61, most storied filmmakers have done their best work and are in the "safe" era of their careers. Not Spike Lee. While his career has never been nothing short of abrasive and confrontational, his latest BlacKkKlansman is a film that comes like a foot knocking down a door. Much like the general discourse, he's mad at the problematic race relations of the modern era and wants to have a blunt discussion of why we should be angrier about it. Over the course of his film, he has created one of the most delightful, uncomfortable, prophetic, energetic, scary films of his career. Even from its title, which alludes to the Ku Klux Klan characters at the center of the story, it doesn't come subtle. But on the bright side, Lee is one of the few old hats that are angry with a purpose, and it's so nice to have a film this immediate to prove the value of art to change discourse, provided everyone stops and listens.

The First "BlacKkKlansman" Trailer Shows Spike Lee at His Most Urgent

Scene from BlacKkKlansman

There's a lot that's currently going on over at the Cannes Film Festival. Among the most noteworthy is the praise around director Spike Lee's latest BlacKkKlansman. He's a director whose praise has ebbed and flowed over the years, hitting a recent standstill with movies that haven't quite captured the zeitgeist. However, there's a good chance that his latest will in which two police officers go under cover to infiltrate the Ku Klux Klan (KKK). It's a film that promises to capture the heated race relations of modern America and possibly bring out a side of Lee that has made him a cinematic icon for over 30 years. The first trailer definitely helps to suggest that it's got a lot to say, and it's going to do so very angrily.