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| Scene from Jojo Rabbit |
The most incredible thing about director Taika Waititi's World War II satire Jojo Rabbit isn't the attention-grabbing choice to cast Adolf Hitler as a Harvey-esque imaginary friend, but how the film uses it. By all historical accounts, Hitler is notoriously evil - so to cast him in a quirky comedy that's drawn comparisons to Wes Anderson feels a bit tone-deaf, especially in a decade where his ideals remain unfortunately prominent. However, that is to write off what Waititi is going for with this satire. This isn't an endorsement of Hitler, but more about how his ideas of hate can consume a society not wishing to go the extra mile for empathy. He's the flamboyant sidekick, childishly taunting his enemies and encouraging protagonist Jojo (Roman Griffin Davis) to use mind control on his enemies. Waititi wants the ideas to be deconstructed in a way that draws attention to how silly they are, how they exist in a world full of delusion. It's a fine tightrope that should at least earn Waititi credit for making the boldest Oscar season movie in years. It may not have the sharpest teeth out for Nazism directly, but its choice to explore the growth of a child learning to understand the world makes this a clever tale full of heart and understanding, which the world needs more than ever.


