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| Rooney Mara |
It didn't used to be this way. The promise of new Terence Malick seemed to be something that would happen once every decade, or twice if he was feeling inspired. However, the past few years has seen him form a late period creativity that has made for some interesting results. From 2011's The Tree of Life to last year's Knight of Cups, he has managed to make his meditative style grow into more contemporary settings. With is latest Song to Song, he looks to tackle the music scene. It may not look bad, but it looks like what the average later day Malick film looks like these days. Again, it's not a bad thing, but it doesn't provide much confidence either.
