Showing posts with label Renee Zellweger. Show all posts
Showing posts with label Renee Zellweger. Show all posts

Thursday, January 16, 2020

Review: "Judy" Finds Pain in a Charismatic Performance

Scene from Judy (2019)
There's an old adage in show business: the show MUST go on. No matter what's happening around you, if you're feeling the least bit timid, a performer puts on a show and entertains the crowd who paid handsomely to see them. That is the familiar crux of director Rupert Goold's biopic Judy, which pits one of Hollywood's most famous and tragic careers into a sympathetic lens, trying to understand what kept her going. With drug addiction and family problems spiraling out of control like her wrecked hotel suite, the story finds her backstage in London, doing everything in her power to keep going on. For as much as this follows conventional paths of a music biopic, there's something to be said for Renee Zellwegger's brittle performance as Judy Garland, whose tearful demeanor makes the many musical numbers more triumphant and saves this. For as much as it leans too heavily on conventions, one can't deny that Garland was a performer until the end, leaving the audience wanting even more when she herself had nothing left to give. It's the tragedy of art, but also the reality of Hollywood's gross past when it came to how it treated its female talent. 

Monday, July 8, 2019

The First "Judy' (2019) Brings Forth a Promising Oscar Contender

Scene from Judy (2019)
Everyone loves a biopic it seems. The desire to take the celebrities of the past and turn them into fodder for new stories is something that has never gone out of style. It's why it seems odd that Judy Garland is just now getting around to the biopic treatment. With a storied career full of tremendous highs and lows, it's hard to not find something to take from her life story (though to be fair, A Star is Born was almost autobiographical anyways). It's what makes the upcoming release of director Rupert Goold's Judy starring Renee Zellweger so compelling. Not only is it a potential return to the Oscar circles for the actress, but it may help to inspire a new generation to fall in love all over again with the singer. If the trailer has anything to say about it, the journey there will be a rip-roaring success.

Sunday, July 31, 2016

Best Song: "Lose Yourself" (2002)

Scene from 8 Mile
Welcome to Best Song, a new weekly column released on Sunday dedicated to chronicling the Best Original Song category over the course of its many decades. The goal is to listen to and critique every song that has ever been nominated in the category as well as find the Best Best Song and the Best Loser. By the end, we'll have a comprehensive list of this music category and will hopefully have a better understanding not only of the evolution, but what it takes to receive a nomination here. It may seem easy now, but wait until the bad years.

Sunday, December 27, 2015

Nothing But the Best: "Chicago" (2002)

Scene from Chicago
Welcome to the series Nothing But the Best in which I chronicle all of the Academy Award Best Picture winners as they celebrate their anniversaries. Instead of going in chronological order, this series will be presented on each film's anniversary and will feature personal opinions as well as facts regarding its legacy and behind the scenes information. The goal is to create an in depth essay for each film while looking not only how the medium progressed, but how the film is integral to pop culture. In some cases, it will be easy. Others not so much. Without further ado, let's start the show.