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Bong Joon-ho |
Back in 2009 when I was discovering who I was as a cinephile, there were a handful of movies I was recommended. My friend Dorian, more a fan of eastern cinema like J-Horror and Studio Ghibli, joined me on a quest to watch all of these films, discovering some of the finest voices of contemporary cinema. Among those films was The Host, itself already promising given our love for monster movies. While I had expected there to be rabid chaos letting loose, I hadn't expected there to be so much personality and humor, creating a social commentary within this realm that I hadn't fathomed would have anything memorable to say besides giving the audience a thrill. Maybe it was because I was young, but the way it enhanced story only proved to me that international cinema had this capability of connecting to me, even if I couldn't tell you a single thing about South Korea. In that way, I was a changed man.
Along with the great Park Chan-Wook (The Vengeance Trilogy), the decade to follow was an incredible time to watch The Host's director Bong Joon-ho emerge as this larger-than-life personality, helping to bring attention to the incredible Korean Wave of cinema still going on. There was something special about Joon-ho, who constantly returned to the conversation with these abstract genre thrillers like Snowpiercer and Okja: films that sought to connect Korean ideology with western interests. With Parasite, he found a way to create the ultimate universal tale in a story of the economic struggles of the working class as they fight for a little luxury. It was known not only by critics but also by its unprecedented box office run. This wasn't just another South Korean import. It was a $167 million success story that went even further. By winning Best Picture at the Oscars, Joon-ho did the unthinkable in elevating himself from connecting with the weirdos who love international cinema, to just being plain accepted for making an undeniable masterpiece that has a lot to say both in text and in success about the future of film.