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Scene from Pygmalion (1938) |
On this day six years ago, The Oscar Buzz launched as a place for me to discuss everything related to awards season. It was 2012 and it stemmed largely from an interest in discussing everything related to the Paul Thomas Anderson film The Master. Things have evolved since then and in 2018, the blog has covered a lot of ground both in Oscar history, as well as attempts to branch out into other subject matters ranging from the Tony Awards to chronicling the entire output of A24 studios. It's a daunting task that I love to put upon myself. But on these anniversary entries, I have one tough question: how do I open up? These entries are about discussing who I am as an individual more than just my opinions on film. It's easy some years, where variables can lead to cutesy lists (for instance, last year was about the year with the five Best Picture nominees that best represented me). But where do I go with six? It's difficult. However, I have decided to look at something that I don't discuss too often: the double-nominee. What film adaptation stands out as saying something integral about who I am? In this particular case, I am going back to the work of George Bernard Shaw and the adaptations Pygmalion and, in its musical form, My Fair Lady.