Showing posts with label Mica Levi. Show all posts
Showing posts with label Mica Levi. Show all posts

Sunday, December 15, 2019

Composing Greatness: #11. The Freshman Class of the 2010's - "Jackie" (2016)

Scene from Jackie (2016)
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Saturday, November 25, 2017

Failed Oscar Campaigns: "Jackie" (2016)

Natalie Portman in Jackie
As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

Monday, July 31, 2017

A24 A-to-Z: #7. "Under the Skin" (2014)

Scene from Under the Skin
In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Wednesday, February 22, 2017

An Appreciation Piece for Mica Levi's "Jackie" Score

Scene from Jackie
There's a lot to love about this year's Best Original Score category. For starters, it is packed with first time nominees (and for some reason Thomas Newman for Passengers). It makes the category far more exciting than normal, and even features a variety of excellent compositions. While it does seem likely that Justin Hurwitz will win for La La Land, I want to give a quick shout out to possibly the biggest surprise nominee of the bunch: Mica Levi (Jackie). Even if I fear that she won't win, I feel that her nomination is an excellent addition to the eclectic scores that normally wouldn't be considered. In fact, it's probably my favorite from the list. 

Tuesday, December 20, 2016

Review: "Jackie" Turns a Familiar Moment Into an Original, Heart-Wrenching Drama

Natalie Portman
Throughout history, public leaders have been turned into mythic giants with infallible gifts. They lead their countries through hard times often at the risk of legacy-ruining scrutiny. While time has a habit of only enforcing this mindset more, it does feel important to remember the one truth: they were just humans. Never has that been more apparent in late 20th century American history than on November 22, 1963 when President John F. Kennedy was assassinated. It's a moment that history won't let anyone forget, even as it's over 50 years old. Yet there's one side that's often overlooked that was there that day. His wife Jacqueline Kennedy was by his side, but whose story has rarely been given attention. Director Pablo Larrain's Jackie uses this construct to explore more universal themes with a script whose prose reads as a long essay on the grieving process. With poetic language and even more beautiful cinematography, the film sparks with life in one of the most original biopics to come out this past year.