Composing Greatness: #7. Thomas Newman - "A Series of Unfortunate Events" (2004)

Scene from A Series of Unfortunate Events

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

R.I.P. Milos Forman (1932-2018)

Milos Forman

On April 13, 2018, director Milos Forman died at the age of 86 in Danbury, Connecticut. Over the course of his career, he is best remembered for two Best Picture-winning films: One Flew Over the Cuckoo's Nest and Amadeus. Beyond that, his career encapsulated stories about people trying to understand what freedom truly mean, which he understood as a Czechoslovakian immigrant. His films tended to feature naturalist approaches to stories, capturing a documentary-like look to stories no matter how fictional. He was also great with actors, managing to earn major awards for actors ranging from Jack Nicholson to Woody Harrelson and Jim Carrey. His legacy can be found in his provocative cinema whose messages still feel immediate. He will be greatly missed, even if his influence isn't likely to go away any time soon.

Theory Thursday: "How the Grinch Stole Christmas" is the Worst Christmas Movie Since 2000

Scene from How the Grinch Stole Christmas

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Birthday Take: Peter Weir in "The Truman Show" (1998)

Jim Carrey in The Truman Show

Welcome to The Birthday Take, a column dedicated to celebrating Oscar nominees and winners' birthdays by paying tribute to the work that got them noticed. This isn't meant to be an exhaustive retrospective, but more of a highlight of one nominated work that makes them noteworthy. The column will run whenever there is a birthday and will hopefully give a dense exploration of the finest performances and techniques applied to film. So please join me as we blow out the candles and dig into the delicious substance.