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| Ryan Gosling in First Man |
There is a power that director Damien Chazelle brings to the opening scene of his Neil Armstrong biopic First Man. Before the audience has had a chance to become acquainted with the world, he is already thrusting them out of it. Armstrong, played by Ryan Gosling, is pushing the limits of plane travel, throwing himself almost out of Earth's orbit. It is a claustrophobic moment, and one that features a strong intensity as Armstrong is left to wonder how he will survive. Will he even make it back to Earth? While the audience should know the answer, it's all perfectly unclear in the moment, capturing an early stage of space travel that is primitive and dangerous. There are no barriers. In just this opening scene, Chazelle has redefined the NASA film as a story about safety risks, all while pushing in on Armstrong's face - forcing the perspective to be the same as his, floating inside a man-made machine. It's the technique that makes First Man at times a powerful example of Chazelle's transition to big studio director. However, it also symbolizes the distance that Chazelle has at times from his supporting cast, who never get as much effort placed into them as Armstrong. It's not a terrible thing, but it keeps the film from feeling spectacular.