The Runner-Ups: Channing Tatum in "Foxcatcher" (2014)

Channing Tatum in Foxcatcher

Every Oscar season, there are a handful of actors who get tagged with the "snubbed" moniker. While it is always unfortunate to see our favorites not honored with at very least a nomination, there's another trend that goes largely unnoticed: those who never even got that far. The Runner-Ups is a column meant to honor the greats in cinema who put in phenomenal work without getting the credit that they deserved from The Academy. Join me every other Saturday as I honor those who never received any love. This list will hopefully come to cover both the acting community, and the many crew members who put the production together.

An Appreciation of Soderberg's 'Last' Movie "Side Effects"

Scene from Side Effects

It is likely that if you watch movie trailers, then you'll remember the Logan Lucky one. How could you not? It's the return of the great Steven Soderbergh, finally directing more movies after a brief hiatus that lead to two TV series; one he worked closely on (The Knick) and one he mostly produced (The Girlfriend Experience). Still as the credits rolled, it played through his most memorable hits: Ocean's 11, Ocean's 12, Ocean's 13, and Magic Mike. Not a bad line-up. Still, for a filmmaker who seems to never sleep, it seems odd that nobody talks about his last film: 2013's Side Effects. It may not have a moment as eye popping as Magic Mike's gyrating torsos, but it does have a lot that is underrated and overlooked. With Logan Lucky coming out on Friday, I felt the need to look back on the film he made before saying goodbye, at least for then. 

Theory Thursday: "Foxcatcher" is the Best Sports Film Since 2011

Scene from Foxcatcher

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Review: "Hail, Caesar!" is a Kaleidoscope of Wonder

Scene from Hail, Caesar!

One of the big reasons that directors Joel and Ethan Coen continue to resonate is because they are not limited to a genre in the ways that others are. If they want to make a heist film, they make The Ladykillers. If they want to make a stoner film, they make The Big Lebowski. Their credentials feature an endless barrage of genre-shifting cinema that somehow manages to remain consistently entertaining. With their latest Hail, Caesar!, they seem to take that advice too literally and end up producing a comedy that isn't just a period piece, but a western, musical, bible epic, noir, and even an earlier period piece. To simply explain the film to someone is to suggest that what Hail, Caesar! is is actually films within films (though not in the Inception way) in their loving ode to the power of film and why they are just as tangible to audiences as religion.

The First "Hail Caesar!" Trailer Has Way Too Many Recognizable Faces to Fail

George Clooney

Among the directors that I anticipate every new release the most with, directors Joel and Ethan Coen are at the top. For starters, their track record is very impressive with most of their great work still coming out (though that's not to discredit everything else from the past 30 years). With their last film, Inside Llewyn Davis, they brought another masterpiece to the world in the disguise of a folk singer with a cat. This time around, they give us a loving ode to Hollywood's golden era with an all-star cast in the film Hail Caesar. While it's been awhile since they tackled the moving pictures (1991's Barton Fink), it's nice to see them return with a more slapstick attitude about it. At least, that's what's implied by the first trailer.

Review: "Foxcatcher" is a Dark Look at the American Dream, Greed and Family

Left to right: Channing Tatum and Mark Ruffalo

There have been few topics that have had as conflicting of a cinematic representation as that of American patriotism. For all of the freedoms that are given, there's those that abuse the power in favor of something more dastardly and disturbing. In director Bennett Miller's Foxcatcher, he doesn't so much destroy the myth surrounding patriotism as he explores its impact on our relationships, whether that be family or teammates. The story of Mark Schultz (Channing Tatum) is a tragic one and the preceding text stating its factual history only makes it more bleak. As a whole, it is the perfect embodiment of a troubled culture and what happens when there isn't much to live for.

Is the Success of "Foxcatcher" at Cannes Going to Help Its Oscar Chances?

Left to right: Channing Tatum and Steve Carell

It seems to be a running gag in Hollywood right now of highly anticipated films getting pushed back. Most recently, Andy and Lana Wachowski's Jupiter Ascending was moved back to 2015 within months of release. However, the real champion of the "Pushed Back Channing Tatum Films" list (and there has been a handful) appears to be Foxcatcher. After it was held back last year, my expectations were lowered significantly. While I enjoyed quoting the attached trailer (which has since been removed), there was little to grab me. However, after last month's Cannes Film Festival, things are looking up for the the latest film from director Bennett Miller. It actually may stand a chance as a serious Oscar contender.

The Release of "Foxcatcher" Gets Moved Back to 2014

Steve Carell

It has been quite a week for pushing back expectations on potential Oscar nominees. Earlier we wrote about how The Wolf of Wall Street, which remains the biggest blow. Not to be outdone, director Bennett Miller's latest film, Foxcatcher, has taken suit. In an ironic fashion, the news was delivered mere hours after the debut of the first trailer, which is a haunting look at one of my wildcard nominee selections.

Can McConaughey Strip Away His Old Persona with an Acting Nomination?

Matthew McConaughey

Once in awhile, there are those few performances that get buzz. Nobody knows why, but it only gives people more incentive to give it a peek. Of all movies to get this treatment from the past year, nobody would have suspected director Steven Soderbergh's stripper drama Magic Mike to make the cut. It became a runaway summer hit that has since entered the zeitgest through numerous parodies (most notably on a Joseph Gordon-Levitt hosted Saturday Night Live episode) and has made some consider the actors to be more than just pretty faces. The one to receive this praise the most is Matthew McConaughey, which seems odd when you consider his reputation as a shirtless Lothario. Does his performance as a wise-cracking stripper stand what it takes to get a Best Supporting Actor nomination?