The List of the 819 New Academy Members Is Here!

LaKeith Stanfield

It's that time again. Every year The Academy puts in an effort to expand their voting base to include a lot of the best and brightest in the entertainment industry. This includes a goal of expanding diversity to include talents globally. With 819 new members, the list features an exciting new group that will help determine what next year's ceremony will look like. Along with the first time choice to let agents vote, check out the list of new faces, which continues to show how many interesting voices are out there, ready to make a difference. Who are some of your favorites? Feel free to leave them in the comments section.

Review: "The Irishman" is the Great Gangster Movie to End All Gangster Movies

Scene from The Irishman (2019)

With The Irishman, director Martin Scorsese has made the gangster movie to end all gangster movies. He has made a career of exploring the criminals who have gotten rich off of shady deals and violent discourse, leaving behind nothing but misery for everyone else. After pushing limits with films like Mean Streets, Goodfellas and The Wolf of Wall Street, he has taken on the elder statesman role in 2019 to discuss how a life of crime may seem rewarding at first but inevitably ends in a sadness that can't be escaped. As much as the 3.5-hour running time feels at times taxing, drawing out small moments that feel interminable, the result is to create an epic about a man learning to realize his own flaws only to realize that they come too late. It's a story about loyalty and aging in the ways that only Scorsese can get away with. While the results are less flashy than his aforementioned masterpieces, this is the final chapter in a cautionary tale that has defined his work from the beginning. With a cast of incredible actors at the top of their game, The Irishman may be overlong, but it's all in an attempt to cheat death. It's horrifying and immersive, leaving the audience with a powerful gut punch that is too bittersweet to forget.

Review: "I, Tonya" is a Pulpy, Fun Sports Movie

Margot Robbie

Thanks to films like Rocky, the idea of the sports movie has come to represent a certain type of underdog; someone who exceeds against an oppressive society. Even if that's the case, few people were as primed against this structure quite like Tonya Harding - now infamous for an incident regarding Nancy Kerrigan. She has become the butt of countless jokes since, ruining her reputation as an excellent figure skater. With that in mind, director Craig Gillespie has decided to explore the truth behind the tragedy in the comedy I, Tonya. It's a film that manages to explore her background and her struggles to be taken seriously. In that way, it's a typical sports movie. However, it's more vulgar than your Million Dollar Babies. It's a unique journey that is as off-putting as it is fascinating.

The "I, Tonya" Captures a Notorious Moment in Olympics History with Cattiness

Scene from I, Tonya

The presence of sports figures in everyday life are inevitable. There are a few that stand out as being excellent at their craft, turning it into a physical art form. However, there are those few who are remembered for the opposite reasons. Journeyman director Craig Gillespie has made a movie called I, Tonya, which chronicles the infamous career of Tonya Harding and the one event that made her a staple in Olympics history. The first teaser shows just how trashy and petty a movie about Harding should be. It doesn't give much, but it does have a ferocity that captures a potential Best Actress nominee in Margot Robbie. If nothing else, she sure looks the part.

Review: "Blue Jasmine" is One of the Most Creatively Twisted Woody Allen Film in Years

Cate Blanchett

In Annie Hall, Woody Allen famously said about people in Hollywood: "They don't throw their garbage away, they turn it into television shows." In a sense, the director's career has almost seemed to be a huge tirade against the west coast lifestyle. His films were always famously shot in New York or later on Europe. With the announcement that his latest film Blue Jasmine would be taking place on the coast he had so long chosen to ignore, it almost seemed like a resurgence for the American filmmaker to make something equivalent to the west coast as his films like Manhattan did for the east. In a way, it does live up to Allen's vision as predicted in Annie Hall. It is by no means a flattering vision.