Sunday, September 30, 2018

Composing Greatness: #4. Thomas Newman - "American Beauty" (1999)

Scene from American Beauty
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Saturday, September 29, 2018

Failed Oscar Campaigns: "Get Out" (2017)

Scene from Get Out
As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

Thursday, September 27, 2018

Theory Thursday: "Quiz Show" is Underrated

Scene from Quiz Show
Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Check This Out: "A Star is Born" (2018) Releases First Song "The Shallows," and Solidifies Its Status as Oscar Front Runner

Scene from A Star is Born (2018)
With every single day, it seems like the day when Oscar season starts to get serious is getting closer, and there's a good chance that the kickoff date is October 5's release of Bradley Cooper's A Star is Born remake. It has been dominating the film festivals with a lot of love from critics and audiences who are already making this sound like the film to beat. Whether it's true for Cooper and co-star Lady GaGa in what's being described as dynamic performances, one thing seems a bit more obvious: the one category that's going to be hard to beat from the film is Best Original Song. Nowhere is this more evident than today when the film released a video for its first song, "The Shallow": a duet that you likely recognize from the trailers, but up until now haven't been able to hear in full. Well, here's the song in full. Just don't expect it to leave your brain for the next five months, so be warned. 

Wednesday, September 26, 2018

Legitimate Theater Bonus: #6. Pretty Woman (2018)

Pretty Woman
Welcome to Legitimate Theater: a column dedicated to movie-based stage musicals. The goal of this series is to explore those stories that originated in films and eventually worked their way onto Broadway and beyond. By the end of each entry, there will hopefully be a better understanding of this odd but rampant trend in modern entertainment. Are these stories really worth telling through song and dance? How can it even compare to the technical prowess of a camera and seamless editing? Join me on this quest as I explore the highs and lows of this trend on the third Wednesday of every month and hopefully answer what makes this Legitimate Theater.

Monday, September 24, 2018

A24 A-to-Z: #49. "The Lovers" (2017)

Scene from The Lovers
In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Composing Greatness: #3. Thomas Newman - "Unstrung Heroes" (1995)

Scene from Unstrung Heroes
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Thursday, September 20, 2018

Theory Thursday: "Goosebumps" (2015) is Underrated

Scene from Goosebumps (2015)
Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

Wednesday, September 19, 2018

Legitimate Theater: #5. "School of Rock" (2015)

School of Rock
Welcome to Legitimate Theater: a column dedicated to movie-based stage musicals. The goal of this series is to explore those stories that originated in films and eventually worked their way onto Broadway and beyond. By the end of each entry, there will hopefully be a better understanding of this odd but rampant trend in modern entertainment. Are these stories really worth telling through song and dance? How can it even compare to the technical prowess of a camera and seamless editing? Join me on this quest as I explore the highs and lows of this trend on the third Wednesday of every month and hopefully answer what makes this Legitimate Theater.

Saturday, September 15, 2018

A24 A-to-Z: #48. "Free Fire" (2017)

Scene from Free Fire
In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Viola Davis Regrets Certain Things About "The Help"

Viola Davis in The Help
This Oscar season already has a packed schedule of potential nominees. Among them is Viola Davis, who recently won an Oscar for her role in Fences.This year she returns with a major role in the Steve McQueen-directed heist film Widows, what has already received a lot of acclaim at various film festivals. However, there's already some concern over Davis' recent past, as she has given an interview where she claims that she regretted her work in The Help. Does this mean she hates the role? Well, not exactly. What she meant it something a bit more nuanced and maybe more understandable in 2018 than it was in 2011 when the film became a late-summer sensation.

Failed Oscar Campaigns: "Battle of the Sexes" (2017)

Scene from Battle of the Sexes
As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

Friday, September 14, 2018

The Oscar Buzz is Celebrating Its Sixth Anniversary!

Scene from Pygmalion (1938)
On this day six years ago, The Oscar Buzz launched as a place for me to discuss everything related to awards season. It was 2012 and it stemmed largely from an interest in discussing everything related to the Paul Thomas Anderson film The Master. Things have evolved since then and in 2018, the blog has covered a lot of ground both in Oscar history, as well as attempts to branch out into other subject matters ranging from the Tony Awards to chronicling the entire output of A24 studios. It's a daunting task that I love to put upon myself. But on these anniversary entries, I have one tough question: how do I open up? These entries are about discussing who I am as an individual more than just my opinions on film. It's easy some years, where variables can lead to cutesy lists (for instance, last year was about the year with the five Best Picture nominees that best represented me). But where do I go with six? It's difficult. However, I have decided to look at something that I don't discuss too often: the double-nominee. What film adaptation stands out as saying something integral about who I am? In this particular case, I am going back to the work of George Bernard Shaw and the adaptations Pygmalion and, in its musical form, My Fair Lady.

Thursday, September 13, 2018

The First Trailer for "The Ballad of Buster Scruggs" Saddles Up Another Wacky Coen Brothers Film

Scene from The Ballad of Buster Scruggs
There are few directors who have the unpredictable track record of brothers Joel and Ethan Coen. It seems like every time they release a dark and gritty movie like No Country for Old Men, it's immediately followed by a farcical gem like Burn After Reading. Even their most recent film, Hail Caesar!, is a Hollywood satire that has a subtext about the power of a metaphorical religion within the studio system. So, where do you go from a film that encapsulated every genre possible and turned it into one of their silliest films yet? Well, you go back to the genre that earned you some clout. The Ballad of Buster Scruggs started out as a TV series for Netflix, but comes to audiences now as an anthology film about a cowboy going on wacky adventures. If the first trailer is any sign, it's a different take on the genre than something like True Grit. Much like Hail Caesar!, it's downright farcical.

Monday, September 10, 2018

Surprise! Andrew Lloyd Webber, John Legend, and Tim Rice are All EGOT Winners Now

Left to right: Andrew Lloyd Webber, John Legend, and Tim Rice
While the Emmy Awards ceremony that everyone knows and loves will be airing next week, last night was a night that's just as important to people who love TV. The Creative Arts Emmys are meant to honor the best in TV production in categories that aren't as interesting to audiences expecting more commercial categories, such as acting in dramas and comedies. However, it's a shame that the ceremony wasn't more of a big deal, as it marked a rare but exciting occasion for fans of awards history. With the win for Outstanding Variety Special, Andrew Lloyd Webber, John Legend, and Tim Rice all ascended to the status of EGOT winners, marking the most to win not only in a single year, but even a single night. It was quite a night, though the asterisks for accomplishment don't stop there. 

Sunday, September 9, 2018

Composing Greatness: #2. Thomas Newman - "The Shawshank Redemption" (1994)

Scene from The Shawshank Redemption
Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Saturday, September 8, 2018

R.I.P. Burt Reynolds (1936-2018)

Burt Reynolds
On September 6, 2018, actor and director Burt Reynolds passed away at the age of 82 in Jupiter, Florida. Over a storied career going back to the 50's, he has celebrated a career as one of the most successful actors of his generation. Among his noteworthy works were action movies like Smokey and the Bandit and Cannonball Run as well as dramas like Deliverance, The Longest Yard, and Boogie Nights. Even if he didn't always get the respect he deserved, he was known for being able to enjoy his career, often poking fun at his own failures and enjoying comedic bits whenever he appeared in various interviews. He leaves behind an impressive body of work that is most of all known for featuring a fun and charismatic performance that could be counted on to entertain audiences. He was one of a kind, and he will be missed.

Thursday, September 6, 2018

Looks Like the Best Popular Film Category Won't Be Happening After All

Scene from Black Panther
It has been a pretty past few days for The Academy. Yesterday they announced the recipients of this year's Honorary Oscars. Today, they make not so much an announcement but an apology of sorts. Around the start of the summer season, they announced a series of changes that would impact the upcoming ceremony. Among the most noteworthy and controversial was the announcement of the Best Popular Film Award. It didn't go over well, with almost general disdain felt towards the category that had yet defined guidelines. Well, for those who were worried about how this award would impact the year ahead, just know that it isn't happening, though it's unclear if this will be a permanent hiatus.

Wednesday, September 5, 2018

Here's the List of This Year's Honorary Oscar Recipients

Kathleen Kennedy
As with every year, one of the most exciting parts of Oscar season is when they announce the recipients of this year's Honorary Oscars. They're voted on by the Board of Governors and presented to people in the arts that have done significant work. In this case, it seems like a doozy of a year featuring five people on the list. The people this year include publicist Marvin Levy, composer Lalo Schifrin, and actress Cicely Tyson. Also receiving the Irving G. Thalberg award is two producers Frank Marshall and Kathleen Kennedy, the latter of whom is the first woman to win said award. With this impressive line-up comes recognition for a lot of great talent in the industry.

The First Trailer for "At Eternity's Gate" Draws Willem Dafoe Back into the Oscar Race

Willem Dafoe in At Eternity's Gate
Following last week's Telluride and Venice Film Festivals, there's a lot to already look forward to in regards to awards season. With many already staking their claim, it's interesting to see what changes are likely to still come. Among those is a film from director Julian Schnabel (The Diving Bell and the Butterfly) starring Willem Dafoe as iconic artist Vincent Van Gogh. With many at the festivals already hailing it as a career-best performance, it looks like it will be what is needed to finally earn the legendary actor an Oscar. If nothing else, the trailer looks to capture the artistry of a man who redefined how we look at art with a performance that is just as staggering to look at as the gorgeous scenery. 

Tuesday, September 4, 2018

A24 A-to-Z: #47. "The Blackcoat's Daughter" (2017)

Scene from The Blackcoat's Daughter
In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Monday, September 3, 2018

Here's My Pre-Season Oscars Predictions

Scene from Roma
With the start of September, it only feels right to enjoy the final naive days of Oscar season by playing the game every prognosticator loves to do: predict. Speaking as many films haven't so much as appeared on the radar yet, these columns are always ridiculous and antiquated, mostly going based off of what's popular in September. With that said, why not take chances and try to make bold predictions, of which might come true? The following is my attempt to predict the six top categories, including all four of the acting fields. What will make the final cut? Come back in a few months when I'll compare these to whatever makes the cut. I assure you that it may end up being a worthwhile laugh after a busy, hard fought season of more unpredictable achievements. 

Sunday, September 2, 2018

Composing Greatness: #1. Thomas Newman - "Little Women" (1994)

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Saturday, September 1, 2018

Failed Oscar Campaigns: "mother!" (2017)

Scene from mother!
As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.