What Happened to "The Master"?

Amy Adams

*This will be my last piece for The Oscar Buzz for 2012. I want to thank everyone for making its brief existence so far much more successful than I planned. What I established as a website just to talk about the Oscars has evolved into something that I enjoy doing. Do know that I probably will be back later this week writing more, but I figured now was as good of a time as any to thank you, the reader, for choosing to join me. Here's hoping that success continues to be granted to this blog in 2013, and may the best movies win.

This entry marks the 50th entry in The Oscar Buzz. With that in mind, I thought that I would look back at the one film that started it all for me: director Paul Thomas Anderson's The Master, which is my second favorite movie of 2012 and features probably the best Joaquin Phoenix performance of his career. After initially a strong start with Oscar Buzz, it fell behind colleagues like director Ben Affleck's Argo and Kathryn Bigelow's Zero Dark Thirty. Even in the acting fields, Phoenix and Philip Seymour Hoffman have fallen upon hard times. It has gotten plenty of nominations, but not as many wins, despite making almost every critic's Top 10 lists. Today's installment is a personal analysis on what happened to The Master to move it from a strong contender to just another nominee.

Review: "Les Miserables" is the Amazing Musical Adaptation We've Been Waiting For

Hugh Jackman

One of the greatest joys of watching director Tom Hooper's latest Les Miserables is the realization that the musical genre has been regenerated with life. After mainstream duds like this past summer's Rock of Ages, it is fascinating to watch as Hooper takes the beloved stage show based on Victor Hugo's novel and turn it into this big lavish story with an all star cast and live recordings. Even if the film has flaws (which it does), it wears the passion and craft so proudly that it turns a movie that is essentially three hours of singing into a well constructed narrative with vivacious tunes and some jaw dropping performances. Les Miserables is a refreshing sight for the sheer fact that it feels like people are trying. But with all of this effort in place, can it go the extra mile and earn Best Picture?

Announcement from The Oscar Buzz

Joaquin Phoenix in The Master

Ladies and gentlemen, we are officially two weeks away from the big reveal. That's right, on Thursday, January 10, we will finally get all of the Oscar nominations. As a result, there will be some new things going on in the time leading up to this announcement. Along with regular coverage, reviews, and speculations, as well as continuing thoughts on opposing awards shows, I will be occasionally posting my predictions on major categories. If you wish to share your thoughts or lists of possible nominees, please feel free to join me in the comments section. Until then, keep an eye out for my Les Miserables review (tomorrow) and enjoy your end of the year festivities. What do you think will get the big nominations when January 10 rolls around?

Which Christmas Release Stands the Best Chances at Best Picture?

Les Miserables

Update: I have written a review for Les Miserables posted here.

Before I begin, I would like to wish everyone a Merry Christmas. Why is this relevant? Because as per usual, almost every December 25 sees the release of the tent pole movies of the year. This year's class joins the ranks of The Curious Case of Benjamin Button and The Girl with the Dragon Tattoo (though that did open on the 20th) in terms of films that somehow deserve to be the last of the awards-worthy. This year, we have three very interesting, if entirely different nominees: director Quentin Tarantino's Django Unchained, director Kathryn Bigelow's Zero Dark Thirty (released December 21), and director Tom Hooper's Les Miserables. Will any of them stand a chance when it comes to winning Best Picture, or is Argo pretty much locked in?

Can "Django Unchained" Add Best Original Song to its Nominations?

Left to right: Christoph Waltz and Jamie Foxx in Django Unchained

Last week, the Academy announced that 75 songs were eligible for nomination for Best Original Song. Leading the pack with four original titles is director Quentin Tarantino's Django Unchained. This is noticeably shocking, considering Tarantino's history of using pre-existing music. With the release of the soundtrack today, it seemed like a great time to not only look at Django Unchained, but also the other music nominees and how doomed we are because of the lack of inspired choices at the Golden Globe this past week.

Will "This Is 40" Be Able to Add Comedy to the Best Picture Race?

Left to right: Iris and Maude Apatow, Paul Rudd, and Leslie Mann

With the upcoming release of director Judd Apatow's midlife crisis comedy This Is 40 set to open in theaters next week, there is one thing that is peculiar. While it hasn't been nearly as massive as others, many have argued that Apatow's latest stands a chance at a few Oscar nominations. As absurd as it sounds, this isn't that far fetched, considering his influence on the comedy community (he did direct this bit for the Oscars). However, is the film capable of even placing this late in the race, especially since it didn't get a Golden Globe nomination?

Golden Globe Nominations 2013 Are Here, and Guess Who Got Ignored?

It is an exciting time for movie awards fanatics. With all of the nominations coming out, we are only a month away from when we finally get a peek at what will be nominated for this year's Academy Awards! Unfortunately, the Golden Globes have always been perceived in some way as a predecessor to the event and for no good reason. Each year, they mistake celebrity for quality with very few wins for the right people. However, that's kind of why they are my favorite whipping boy. I love to criticize their choices with a heavy hand. The following is a look at the nominations that were released this morning and my brief opinions about each category.

Review: Lose Yourself in the Breathtaking "Life of Pi"

Suraj Sharma

*NOTE: This review was originally published on CinemaBeach, a website dedicated to reviewing independent and independent-minded movies in the Southern California area. I review movies there every Thursday. Also, not covered in this article is the Oscar chances. I believe that this deserves many awards, including a Best Picture slot and I believe that Suraj Sharma deserves a Best Actor nomination over Daniel Day Lewis (Lincoln)

Social commentary has long been a component of great movies. However, commentary on spirituality is one of the least profitable, being reserved for smaller films like Red State and The Way. Religions may be practiced by over five billion people, but the box office receipts rarely reflect them as the big moneymakers. With this in mind, it is an interesting gamble to see director Ang Lee’s $100 million epic Life of Pi centered on a story that is referenced as being so incredible, it will make you believe in god. Is the CGI-heavy adaptation of Yann Martel’s best seller capable of transcending beyond believers, or is it just a beautiful piece of spiritual propaganda?

Will "The Hobbit" Continue Jackson's Winning Streak?

Depending on your stance, next week's release of director Peter Jackson's The Hobbit: An Unexpected Journey is either nine years of painful waiting, or nine years too late. Very few people will deny that Jackson's work on The Lord of the Rings trilogy was a cinematic achievement and its bounty of Oscar wins only solidifies that statement. However, between Return of the King and The Hobbit series was nine years, in which time a lot has changed in cinema, including Jackson's style. While many predict that the film will get an easy Best Picture nomination just like the last three, is it possible that the film will actually prove to be a continued hot streak with a possible win?

Will the Academy Award "Django Unchained" for its Portrayal of Revisionist History?

Jamie Foxx

One of the longest hold outs of the awards season, director Quentin Tarantino's Django Unchained, finally made its premiere at a Directors Guild of America screening on December 1, a little over three weeks until its international release. Speculation has long surrounded the film on if it is worthy of at very least a Best Picture nomination at the Oscars. While there were differing opinions and a standing ovation at the screening, the question remains unanswered. For now, we cannot help but wonder if Tarantino can pull back-to-back nominations, or if he just created another fun film.