Legitimate Theater Bonus: #11. Tootsie (2019)

Tootsie

Welcome to Legitimate Theater: a column dedicated to movie-based stage musicals. The goal of this series is to explore those stories that originated in films and eventually worked their way onto Broadway and beyond. By the end of each entry, there will hopefully be a better understanding of this odd but rampant trend in modern entertainment. Are these stories really worth telling through song and dance? How can it even compare to the technical prowess of a camera and seamless editing? Join me on this quest as I explore the highs and lows of this trend on the third Wednesday of every month and hopefully answer what makes this Legitimate Theater.

"Toy Story 4," "Frozen II," and the Race for the Best Animated Film Oscar

Scene from Frozen II

This morning, Disney released the trailer for their latest film Frozen II. Most audiences will know the franchise very well, in part because of the 2013 film but also because this is the third year in a row that Elsa and Anna will have appeared on the big screen. Following Olaf's Frozen Adventure in 2017 and brief cameos in Wreck-It Ralph: Ralph Breaks the Internet in 2018, it's the long-awaited follow-up to the highest-grossing animated film in history that also spawned two Oscar wins. Considering that this trailer is likely to play in front of Toy Story 4 in 10 days, it also begins to raise another question: how is this year's Best Animated Film Oscar category shaking out? Have we seen the winner already? Considering that Frozen II AND Toy Story 4 are both sequels to previous winners, the answer may be staring us in the face. That is if the pattern continues to hold up.

Composing Greatness: #1. James Horner - "An American Tail" (1986)

Scene from An American Tail

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Legitimate Theater Bonus: #10. Beetlejuice (2019)

Beetlejuice: The Musical, The Musical, The Musical

Welcome to Legitimate Theater: a column dedicated to movie-based stage musicals. The goal of this series is to explore those stories that originated in films and eventually worked their way onto Broadway and beyond. By the end of each entry, there will hopefully be a better understanding of this odd but rampant trend in modern entertainment. Are these stories really worth telling through song and dance? How can it even compare to the technical prowess of a camera and seamless editing? Join me on this quest as I explore the highs and lows of this trend on the third Wednesday of every month and hopefully answer what makes this Legitimate Theater.