Review: "Avengers: Endgame" Gives the Long Goodbye in Beautiful, Messy Ways

Scene from Avengers: Endgame

If the marketing is to be believed, the impact of Avengers: Endgame is a once in a generation achievement. Over the course of 22 movies, Marvel has built a cinematic universe that has come to redefine modern pop culture and turned such esoteric properties as Guardians of the Galaxy and Captain Marvel into major icons. It's also the stick in the mud that isn't going anywhere, which can be tiresome for those not willing to put up with its three movies-a-year regiments. In fact, there's another film a few months away (Spider-Man: Far From Home) that zaps the film of certain suspense. With Disney+ also promising a half-dozen shows of various B-Level characters, what is there really to get out of Endgame that warrants it of the major acclaim and billion dollar-opening weekend?

In one sense, Endgame isn't the long goodbye that audiences are promised. Avengers: Infinity War wasn't a moment that killed off half of the cast. How could it? Black Panther was a cultural milestone in the entire superhero genre. To kill off such beloved characters (in a more cynical sense: cash cows) feel foolish. It will take years, maybe even decades (or a century) for these characters to lose their appeal. The weight of supervillain Thanos rings hollow in that way, as audiences are used to these characters surviving impossible feats. While it's true that this isn't a goodbye for 80% of characters that appear in Endgame, those that meet their end do so with the bravura that only a franchise that's existed for 11 years could achieve. Not since Harry Potter has something so weird and genre-specific culminated in something of a miracle. For the 20% that are now in the past, this film serves as a loving tribute not only to what The Avengers means as a franchise but the sacrifices that come with being a superhero.

Review: "The Man Who Killed Don Quixote" Has A Few Moments of Brilliance Worthy of Its Subject

Jonathan Pryce

For director Terry Gilliam, the film The Man Who Killed Don Quixote has long been a quixotic task that there was a documentary made about its failure... in 2002. The film's mythic failure to ever be made properly makes the final product feel all the more like a miracle. After several false starts and financial conflicts, the film finally hit the big screen last year with a premiere at Cannes and a slow rollout internationally. While it was made, the thought of seeing it publicly was put into question due to Gilliam's bad luck. In that sense, the film is a success for even landing stateside on V.O.D. platforms. Thankfully, it's mostly an entertaining romp that pays homage to one of literature's greatest "heroes." Oddly enough, it also pays tribute to Gilliam's tendency for self-indulgence in both good and bad ways. It's more than a miracle that it got made, but it feels like another niche release from the kooky auteur.

A Look at The Oscars' New Rules

It has been a while since the fallout of the 91st Academy Awards. With many still mulling over the winners (notably the controversial Best Picture winner Green Book), it's important to look forward to what the future provides. In this case, Academy President John Bailey has released an annual change to the many voting rules for the 92nd Academy Awards. In almost every case, the rule changes are actually fairly exciting and look promising to the bigger picture. Whether it's changing the name of Best Foreign Film to Best International Film, or adding more nominees to Best Hair and Make-Up, the changes at least put the upcoming year on a more optimistic track and will hopefully embody a smoother year for all involved.

Check This Out: "The Hateful Eight" Extended Edition Comes to Netflix (With a Catch!)

There's a lot of reason to have Quentin Tarantino on the brain in 2019. Along with this year marking the 25th anniversary of Pulp Fiction, he is returning to cinemas this summer with the highly anticipated Once Upon a Time... in Hollywood. Despite the barrage of reasons to celebrate, there's one that falls on the curious side, especially given that the director isn't often associated with TV miniseries. His Oscar-winning 2016 film The Hateful Eight received a lot of acclaim during its theatrical run and gave the filmmaker one of his longest running times. It's hard to imagine, but there was an even longer Roadshow cut that was hard to see outside of theaters... until Netflix. The only catch is that you'll have to watch it, albeit in a fairly butchered form.