The Academy Announces a Best Popular Film Category, and It's Not Good

Scene from Birdman

It wouldn't be an Oscar season without a summer of new changes being added. Whereas it's usually rules regarding voting or changes in regulations. Today however saw The Academy put forward a series of changes that caused quite a stir. On the least controversial side was an earlier broadcast date for the 2020 ceremony. On the side that's causing the most uproar is a new category that is meant to recognize popular films. What does that even mean? While The Academy has remained coy about it, there is already an uproar over the idea of separating what is "popular" from what is "best." To say the least, there is a change coming, and it's maybe not for the best. 

A24 A-to-Z: #44. "The Monster" (2016)

Scene from The Monster

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Composing Greatness: #1. Rachel Portman - "Emma" (1996)

Scene from Emma

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

The First Trailer for "If Beale Street Could Talk" Finds the "Moonlight" Director Returning to Oscar Conversation

Scene from If Beale Street Could Talk

It was only last year that the Academy experienced one of the most exciting Best Picture wins in over a decade. Director Barry Jenkin's Moonlight was a film that undid a long pattern of milquetoast winners dominated by white leads and filmmakers. It was rejuvenating and just what cinema needed in 2016. So, what does Jenkins have in store next? He's returned with another film, based on a James Baldwin story, called If Beale Street Could Talk. With positive reviews swelling ahead of the film festivals, it's already an exciting time to expect another return to Oscar glory. If the teaser, released on Baldwin's birthday, is any indication, this is going to be another great turn for Jenkins and another impeccable cast likely to dominate the season.