Check This Out: The A24 Podcast

For readers of The Oscar Buzz, there's a certain knowledge of how much I admire the studio A24. I have dedicated an entire column to it called A24 A-to-Z, which just finished the films of 2015. With the studio looking to have a great 2018, it does seem exciting to announce that they also have started their own podcast, aptly titled The A24 Podcast. So, what is it about? To be honest, it's not entirely clear yet. However, their first episode does feature a lengthy discussion between two of the studio's biggest names, both of whom have received Best Director nominations at The Oscars. Greta Gerwig and Barry Jenkins bring a certain chemistry to the first episode that suggests that even if this is just more filmmakers talking shop, it's going to be fun for those who are as obsessed with A24 as I am. 

Long Shot Week: Best Adapted Screenplay - "Logan"

Scene from Logan

Welcome to the first Long Shot Week, where I will attempt to persuade you to think outside of the Oscar box. While it's too late to change voters' minds, I believe that audiences need to take a moment to look at the other contenders in any category and give them a chance. Long Shot Week is designed as a way to highlight these talents that likely don't stand a chance of winning, but more than deserve a chance to be appreciated for what they bring to the game. In a way, this is my list of "Films that should've won," though it's not always indicative of my favorite. Join me all week as I look at different categories and pose the question "Why not?" in hopes that The Oscars still have a few surprises up their sleeve.

Long Shot Week: Best Original Screenplay - "The Shape of Water"

Scene from The Shape of Water

Welcome to the first Long Shot Week, where I will attempt to persuade you to think outside of the Oscar box. While it's too late to change voters' minds, I believe that audiences need to take a moment to look at the other contenders in any category and give them a chance. Long Shot Week is designed as a way to highlight these talents that likely don't stand a chance of winning, but more than deserve a chance to be appreciated for what they bring to the game. In a way, this is my list of "Films that should've won," though it's not always indicative of my favorite. Join me all week as I look at different categories and pose the question "Why not?" in hopes that The Oscars still have a few surprises up their sleeve.

A24 A-to-Z: #28. "Mojave" (2016)

Scene from Mojave

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

R.I.P. Lewis Gilbert (1920-2018)

Lewis Gilbert

On February 23, 2018, director Lewis Gilbert died at the age of 97 in Monaco. Over a career spanning 60 years, he has continued to reinvent himself and work on exciting projects ranging from the film Alfie to three of the James Bond franchise's most successful and iconic films. He leaves behind a filmography that is unmatched in its diversity, capturing an excitement for what the medium can bring to entertainment. Even in his later years, he would produce memorable films like Educating Rita. Still, no matter what he would become known for, he brought a personality to his work that made him one of the most celebrated British directors of his generation. 

Long Shot Week: Best Animated Film - "The Breadwinner"

Scene from The Breadwinner

Welcome to the first Long Shot Week, where I will attempt to persuade you to think outside of the Oscar box. While it's too late to change voters' minds, I believe that audiences need to take a moment to look at the other contenders in any category and give them a chance. Long Shot Week is designed as a way to highlight these talents that likely don't stand a chance of winning, but more than deserve a chance to be appreciated for what they bring to the game. In a way, this is my list of "Films that should've won," though it's not always indicative of my favorite. Join me all week as I look at different categories and pose the question "Why not?" in hopes that The Oscars still have a few surprises up their sleeve.

Composing Greatness: #34. John Williams - "Saving Private Ryan" (1998)

Scene from Saving Private Ryan

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Composing Greatness: #5. Oscars 2018 Edition - "Dunkirk"

Scene from Dunkirk

Welcome to a very special edition of Composing Greatness. In this limited series, I will be looking at the five scores nominated for this year's Best Original Score category. To avoid favoritism, the list will be done in alphabetical order of composers and feature the same guidelines as the original series. This is meant to explore the music behind the great films of 2017, and provide insight into what makes each of them special and whether or not they deserved to be nominated at all. Join me all week as I listen to the  music, leave some thoughts, and hopefully sway you to check out these wonderful, wonderful scores.

Composing Greatness: #4. Oscars 2018 Edition - "Star Wars: The Last Jedi"

Scene from Star Wars: The Last Jedi

Welcome to a very special edition of Composing Greatness. In this limited series, I will be looking at the five scores nominated for this year's Best Original Score category. To avoid favoritism, the list will be done in alphabetical order of composers and feature the same guidelines as the original series. This is meant to explore the music behind the great films of 2017, and provide insight into what makes each of them special and whether or not they deserved to be nominated at all. Join me all week as I listen to the  music, leave some thoughts, and hopefully sway you to check out these wonderful, wonderful scores.

Composing Greatness: #3. Oscars 2018 Edition - "Phantom Thread"

Scene from Phantom Thread

Welcome to a very special edition of Composing Greatness. In this limited series, I will be looking at the five scores nominated for this year's Best Original Score category. To avoid favoritism, the list will be done in alphabetical order of composers and feature the same guidelines as the original series. This is meant to explore the music behind the great films of 2017, and provide insight into what makes each of them special and whether or not they deserved to be nominated at all. Join me all week as I listen to the  music, leave some thoughts, and hopefully sway you to check out these wonderful, wonderful scores.

Composing Greatness: #2. Oscars 2018 Edition - "The Shape of Water"

Scene from The Shape of Water

Welcome to a very special edition of Composing Greatness. In this limited series, I will be looking at the five scores nominated for this year's Best Original Score category. To avoid favoritism, the list will be done in alphabetical order of composers and feature the same guidelines as the original series. This is meant to explore the music behind the great films of 2017, and provide insight into what makes each of them special and whether or not they deserved to be nominated at all. Join me all week as I listen to the  music, leave some thoughts, and hopefully sway you to check out these wonderful, wonderful scores.

Review: "Roman J. Israel, Esq." is a Nuanced Morality Tale That Could Use a Little Something More

Denzel Washington in Roman J. Israel, Esq.

The city of Los Angeles has a certain reputation in cinema. As the documentary Los Angeles Plays Itself has suggested, it's a place where seedy crime goes to flourish nihilistic action films or even apocalyptic narratives. So, for director Dan Gilroy to strip these elements down to human dramas is almost revelatory. In his follow-up to the Oscar-nominated Nightcrawler, he has created a Los Angeles that's full of lawyers conflicted with their own personal drives. At the center is Roman J. Israel, Esq. (Denzel Washington): a man whose reputation is as curious as the name he introduces himself as. It's a hurdle of sorts, and one that holds him back from being the type of leader he wishes to be. In this story, Gilroy creates a west coast mythology of corruption not of the city, but of the self, and it's a slow and calculating journey with plenty of wit and power behind every detail.

Composing Greatness: #1. Oscars 2018 Edition - "Three Billboards Outside Ebbing, Missouri"

Scene from Three Billboards Outside Ebbing, Missouri

Welcome to a very special edition of Composing Greatness. In this limited series, I will be looking at the five scores nominated for this year's Best Original Score category. To avoid favoritism, the list will be done in alphabetical order of composers and feature the same guidelines as the original series. This is meant to explore the music behind the great films of 2017, and provide insight into what makes each of them special and whether or not they deserved to be nominated at all. Join me all week as I listen to the  music, leave some thoughts, and hopefully sway you to check out these wonderful, wonderful scores.

Composing Greatness: #33.John Williams - "Amistad" (1997)

Scene from Amistad

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

A24 A-to-Z: #27."Room" (2015)

Scene from Room

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Failed Oscar Campaigns: "Wonder Wheel" (2017)

Scene from Wonder Wheel

As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.

"The Shape of Water" and the Three Forms of Loneliness

Scene from The Shape of Water

*Note: Spoilers for The Shape of Water

It is a moment that comes between two phases of Eliza (Sally Hawkins) and Amphibian Man's (Doug Jones) relationship. They have escaped the lab and are in their last passionate moments together before Amphibian Man returns to the sea, possibly without the requited love of Eliza. She is mute, only ever able to communicate through a mix of sign language, eggs, and Benny Goodman records. Yet it's in a fantasy moment that she gets her only spoken lines of the film. As the scene trades a dumpy apartment with a leaky room for a black-and-white set out of a musical set, she sings "You'll never know how much I love you." It's a moment where repression breaks through, and moves the subtle themes of the film to the forefront. The Shape of Water is more than a film about loving someone different, it's about understanding loneliness when you don't have love readily available. It's may be a story that's been trivialized as the "woman who loves a fish" story, but it's so much more. It's a look at how loneliness can be used for good as well as bad. 

R.I.P. Johan Johansson (1969-2018)

Johan Johansson

On February 9, 2018, composer Johan Johansson passed away at the age of 48 in Berlin, Germany. To some, he was known as an Icelandic musician who composed a mix of traditional music with electronic accompaniment. To the world of film, he was known for his work on films like The Theory of Everything, and several Denis Villeneuve movies such as Prisoners, Sicario, and Arrival. He received two Oscar nominations for his work, which managed to mix the ethereal with classical compositions in a way that captured the mood of the film. He was considered to be one of the best modern composers and leaves behind an enviable body of work. In his short legacy, he leaves behind an incredible body of work that shows the power of music in film better than most people.

"I, Tonya," "Molly's Game," and the Idea of the Modern Olympic Movie

Scene from I, Tonya

*Note: Spoilers for I, Tonya and Molly's Game

If a sports movie is supposed to be a triumphant vision of the self, then an Olympics movie should be something grader; like the combination of athletes competing for the gold medal in an Avengers-esque story. After all, it is a journey on the world stage where many countries have risen to the challenge and the country is sometimes more important than the individual. It's the type of logic that has fueled Olympic movies like Best Picture winner Chariots of Fire before, depicting the strength of a country in time of need. With the Pyeonchang Olympics set to begin this weekend, it seems like a chance to see triumph on film. So why then are the films currently available (and Oscar-nominated) a bit more of a down note? While there have been upbeat stories in recent years (Eddie the Eagle, Race), there's a sense that an Olympic movie in 2018 isn't about the competition, but a metaphor for self-identity. The films I, Tonya and Molly's Game depict this struggle in different ways - often with Olympics being the last thing on their mind - but come clear on one point. The Olympics are a game of personality politics, and these two films capture it in the news media age.

A24 A-to-Z: #26 "Mississippi Grind" (2015)

Scene from Mississippi Grind

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Composing Greatness: #32. "Sleepers" (1996)

Scene from Sleepers

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Check This Out: The Dates for This Year's TCM 31 Days of Oscar

Along with speculation on who will win, the Oscar season is an exciting time for a different reason. Once again, the great folks over at Turner Classic Movies (TCM) is hosting 31 Days of Oscar; an event meant to highlight films that not only won Best Picture, but other films ranging from shorts and documentaries to nominees from other categories. This year's line-up has been announced, and it definitely has plenty to be excited about. Whether you're watching for fun or want to fill in a few spots on your movie wishlist, it's best to give TCM at least a little time over the next month or so. The following is going to be a quick look at when you can see the Best Picture films, though it's encouraging that you watch the other movies, too.

A Ranking of the 2017 Best Picture Nominees

It has been over a week since The Academy announced the nominees for this year's Oscars. While there will be plenty to talk about in the interim, it feels right to kick things off by ranking the Best Picture nominees. This is by no means a prediction on what film will win, but is more of a look into my personal preference. All things considered, I believe that this is one of the best years in general, with eight of the nine being among my Top 20 of last year. This new class of Academy voters has definitely brought forth an interesting mix of the old and new, and I think it's going to produce a very interesting discussion going forward. If you're interested, feel free to rank the films in the comments section, if just to see how much we differ from each other.

Failed Oscar Campaigns: "Wonder Woman" (2017)

Scene from Wonder Woman

As awards seasons pick up, so do the campaigns to make your film have the best chances at the Best Picture race. However, like a drunken stupor, sometimes these efforts come off as trying too hard and leave behind a trailer of ridiculous flamboyance. Join me on every other Saturday for a highlight of the failed campaigns that make this season as much about prestige as it does about train wrecks. Come for the Harvey Weinstein comments and stay for the history. It's going to be a fun time as I explore cinema's rich history of attempting to matter.