A24 A-to-Z: #7. "Under the Skin" (2014)

Scene from Under the Skin

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Composing Greatness: #13. John Williams - "Superman" (1978)

Christopher Reeve

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Theory Thursday: "Young Adult" is Charlize Theron's Best Movie

Scene from Young Adult

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

My Top 20 Favorite War Movies

Scene from Dunkirk

This past weekend, director Christopher Nolan's latest Dunkirk was released to high acclaim and a debut atop the box office. It is one of the best war films not only of the year, but possibly in the larger canon. This inspired me to try and compile a list of the war films that I feel exemplify the genre as well as create riveting experiences. In all honesty, it was difficult to limit it to 10, and it's just as difficult to land on the 20 that I landed on. Still, these are the films that I think of when exploring the grand and expansive horrors of war and the consequences that they bring to the mainland. For the sake of posterity, I won't include Holocaust movies and focus on the struggles of soldiers and the moral issues that arise in every personal choice. Feel free to share your personal favorites in the comments.

Composing Greatness: #12. John Williams - "Star Wars" (1977)

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Review: "Dunkirk" is the Greatest War Movie Since "Saving Private Ryan"

Tom Hardy

Director Christopher Nolan's latest Dunkirk opens on a bit of an intimate shot. As a group of English soldiers run towards safety, fliers fall from the sky. It's a threat from the Nazis that is made more difficult by the reality that they're on an island and an air strike would likely kill the 400,000 men like sitting ducks. There's desperation and uncertainty in the air as they finally approach that safety: a beach where the rest of the film will take place. The Nazis have made escape nigh impossible without a torpedo to the side of a ship. Much like Nolan's other films, there is a mystery at play. How do these men survive against an unseen enemy? By finally tackling a nonfiction story, Nolan has managed to centralize his tendencies as a director and delivered one of the most breathtaking, horrifying, and gorgeous cinematic experiences of the decade. It's a film that molds the war genre to Nolan's whim, and in the process makes something both reverential of classic cinema and a sign of a new horizon ahead. 

A24 A-to-Z: #6. "Enemy" (2014)

Left to right: Jake Gyllenhaal, Jake Gyllenhaal

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Theory Thursday: "Lucy" (2014) is Underrated

Scene from Lucy

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

New Interview With Assistant Cameraman Claims That Spielberg Directed "Poltergeist"

Scene from Poltergeist

It's a fact that everyone knows pretty well. In 1982, Steven Spielberg directed the Oscar-winning film E.T.: The Extra Terrestrial. It went on to become a giant success and one of the highest grossing movies period. However, there's another movie released just a week before that may or may not have been directed by Spielberg. Poltergeist is a movie listed as being directed by The Texas Chainsaw Massacre's Tobe Hooper, but it's long been held as a rumor that he didn't actually direct it. There's a new interview out with one of Poltergeist's assistant cameramen that suggests that there was a devious strategy to Hooper getting top billing and that Spielberg actually directed it. How much is true? The details follow after the jump.

Review: "War for the Planet of the Apes" Ends the Trilogy on a Satisfying Yet Predictable Note

Scene from War for the Planet of the Apes

In a time where spoiler culture is frowned upon, it becomes baffling that a franchise like Planet of the Apes is as popular as it is. After all, the reboot prequels that began in 2011 are building towards the back half of the title. In theory, there should be nothing exciting about seeing the birth of a planet of apes. However, director Matt Reeves has found a way to not only make it compelling, but use revolutionary technology to make gripping stories full of rich empathy and powerful allegories of the modern time. With the final piece of the new trilogy, War for the Planet of the Apes, he gets us to the final destination. Is it satisfying? In a sense, yes. However, it's more of the same from Dawn of the Planet of the Apes (for better or worse) and it keeps the story from being more than a dark and sometimes too brooding parable of modern militarism and xenophobic ignorance. It's satisfying, but it's very much the third part of a trilogy at the same time.

R.I.P. Martin Landau (1928-2017)

Martin Landau

On July 15, 2017, actor Martin Landau died at the age of 89 in Los Angeles, California. He is an actor whose career spanned 60 years and featured great work both in film and TV. On the small screen, he received a Golden Globe for his performance in Mission: Impossible as Rollin Hand. On the big screen, his career was even more expansive and featured roles that varied from a supporting role in North by Northwest and Cleopatra to Oscar nominations for Crimes and Misdemeanors and Ed Wood (the latter of which he won for). No matter where he went, he brought a charisma that reflected his graceful acting style, of which he also taught in the Actors Studio (of which he was the head of the Hollywood branch until his passing). He left behind an impressive body of work, and one that is unmatched by anyone.

Composing Greatness: #11. John Williams - "Close Encounters of the Third Kind" (1977)

Scene from Close Encounters of the Third Kind

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Theory Thursday (TV Edition): "The Leftovers" is One of HBO's Greatest Series

Scene from The Leftovers

Welcome to a weekly column called Theory Thursdays, which will be released every Thursday and discuss my "controversial opinion" related to something relative to the week of release. Sometimes it will be birthdays while others is current events or a new film release. Whatever the case may be, this is a personal defense for why I disagree with the general opinion and hope to convince you of the same. While I don't expect you to be on my side, I do hope for a rational argument. After all, film is a subjective medium and this is merely just a theory that can be proven either way. 

A24 A-to-Z: #5. "The Spectacular Now" (2013)

Scene from The Spectacular Now

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.

Composing Greatness: #10. John Williams - "Jaws" (1975)

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Composing Greatness: #9. "The Towering Inferno" (1974)

Scene from The Towering Inferno

Welcome to Composing Greatness: a column dedicated to exploring the work of film composers. This will specifically focus on the films that earned them Oscar nominations while exploring what makes it so special. This will be broken down into a look at the overall style, interesting moments within the composition, and what made the score worth nominating in the first place. This will also include various subcategories where I will rank the themes of each film along with any time that the composer actually wins. This is a column meant to explore a side of film that doesn't get enough credit while hopefully introducing audiences to an enriched view of more prolific composers' work. This will only cover scores/songs that are compiled in an easily accessible format (so no extended scores will be considered). Join me every Sunday as I cover these talents that if you don't know by name, you recognize by sound.

Review: "The Beguiled" Brilliantly Captures The Contradictive Nature of Men

Scene from The Beguiled

In theory, The Beguiled is a war movie. For starters, it takes place during the Civil War and features a Union soldier injuring himself on Confederate soil. What follows is a moment of hospitality wrapped up in a tense psychological war. Corporal John McBurney (Colin Farrell) is being cured by a secluded school for women, all of whom have varying reactions to his presence. While it's a simple story on its surface, it's a far more complex story underneath the surface. It isn't just the story of two sides hating each other, but also the struggles between men and women, as well as a deeper personal attraction. Director Sofia Coppola turns in one of her best directed movies by making every character into predators, waiting to pounce. The only question becomes who will attack first, and for what cause. It may be a Civil War movie, but the war at hand is anything but civil.

A24 A-to-Z: #4. "The Bling Ring" (2013)

In case you didn't know, A24 is one of the great purveyors of modern cinema. Since 2013, the studio has found a way to innovate independent cinema by turning each release into an event. As a result, A24 A-to-Z will be an ongoing series that looks at every release from the studio by analyzing its production history, release, criticisms, and any awards attention that it might've received. Join me on a quest to explore the modern heroes of cinema by exploring every hit and miss that comes with that magnificent logo. They may not all be great, but they more than make A24 what it is and what it will hopefully continue to be for ears to come.